Die 6. Ausgabe von 12TON am 21. April 2023 war eine Gemeinschaftsproduktion mit der Veranstaltungsreihe „Sonoric Reflections“ und wurde in Kooperation mit AIL (Angewandte Interdisciplinary Lab) und Punctum Collective realisiert. Bei dieser Ausgabe wurde das Konzept offener gestaltet. Die Protagonisten dieses Konzertabends waren mit Andreas Trobollowitsch, Manu Mayr, Christoph Herndler und Stefan Fraunberger vier in Wien lebende zeitgenössische Vertreter die sich „im Dialog der Generationen“ mit Werken von Karlheinz Stockhausen (1928 – 2007), Earle Brown (1926 – 2002) und Anestis Logothetis (1921 – 1994) auseinandergesetzt haben.
Dieser Abend war bis dato mit Abstand unsere aufwändigste Veranstaltung wo insgesamt über 20 Leute (Liste Mitwirkende siehe unten) involviert waren. Kuratiert wurde die Veranstaltung von Schayan Kazemi (Erbsenfabrik – Labor für Kunst und Kulturproduktion).
Diese Veranstaltung wurde von der MA7 (Abteilung Musik) gefördert.
PROTAGONIST*INNEN
MANU MAYR
is a vienna-born bass player, composer & producer. The exploration and connection of the most diverse sound worlds and their sociotopes can be described as the core of his creative work. In doing so, he deals with the numerous currents of contemporary music creation. From the interpretation of new music to experimental electronics, improvisation and jazz to hip-hop and pop. performing at renowned festivals all over the globe in various contexts as co-leader, solo artist or sideman.
Manu Mayr is a founding member of 5K HD, Kompost 3, Gabbeh, schtum. He plays bass in bands like Synesthetic 4 and Studio Dan, and is also a guest musician at Klangforum Wien, Phace, Bit20 Ensemble Bergen, Nouvelle Ensemble Contemporain and many more.
ANDREAS TROBOLLOWITSCH
Andreas Trobollowitsch is a mainly Vienna-based composer, performer and sound/installation artist. He studied musicology in Vienna and Paris, and wrote his thesis about the spatial approach in the compositions of Stockhausen and Cage. Based on rotation, vibration and feedback systems he uses mainly modified everyday objects, prepared fans and string instruments. Recently he has been focusing primarily on conceptual compositions, self-developed musical instruments, sound and drawing installations. Interested in dichotomy of the intellectual and the physical he includes visual aspects, spatiality, movement, and the way that they relate to sound.
STEFAN FRAUNBERGER
Stefan Fraunberger is an Austrian artist and composer, exploring themes related to transformation and liminality in sound. Stefan engages in electro/acoustic dialog with different instruments and conceptions through translation, composition, performance, or writing.
He focuses on schemes of perception relating the discontinuity of geometries and languages beyond nature and culture. By investigating embodied understandings of the unthinkable, his work touches on time, periphery, memory, and transience.
Fraunberger holds a degree in electroacoustic music and a diploma in Arabic language, Oriental Studies, and Euro-Philosophy from the University of Vienna. He wrote a thesis on 12th century conceptions of liminality, comparing pre-modern Sufi cosmology to contemporary sonic agency, including Arab-German translations of key passages. Stefan is speaking several European and non-European tongues.
CHRISTOPH HERNDLER
Christoph Herndler studied organ and electroacoustic music at the University of Music in Vienna and composition with Roman Haubenstock-Ramati. He completed study visits at Stanford University, California, at the Department of Visual Art in San Diego and at the Art Department in Claremont, Los Angeles.
In 1997 he founded the Ensemble EIS, an interdisciplinary project group that includes numerous renowned musicians. His work focuses on graphic notation and intermedia scores, which can also be realised in non-musical forms of presentation, notation objects, music installations and video works as well as art in public space.
SCHAYAN KAZEMI
studied contemporary composition at the Anton Bruckner University and Transdisciplinary Art at the University of Applied Arts. In addition to his artistic activities, he worked as a concert promoter since 2015 and curated the cultural program at the former Brick-5 in Vienna for four years, focusing on performance and contemporary experimental music. With choreographer Hygin Delimat he created the event series Craft Choreography and subsequently the concert cycle 12TON. Together with the operator of the music label Affine Records, they run the cultural association Labor für Kunst und Kulturproduktion in Vienna.
PUNCTUM COLLECTIVE ENSEMBLE
punctum collective is an international contemporary music ensemble based in Vienna. Besides performing the xx-xxi century repertoire and pieces written specially for them (comissioned works by Katharina Klement, Daniela Terranova, Zach Thomas and others), punctum are curating several concert series in Vienna — Blinds at Künstlerhaus/Albertina Modern, moquette at Konzils-gedächtniskirche Lainz Speising, All That Matters at different locations, — and are hosting the punctum in conversation podcast with contemporary composers and performers from around the globe sharing their knowledge and process. punctum collective are Konstanze Heinicke (violin), Eirini Krikoni (violin), Sarah Maria Dragović (viola), Nava Hemyari (voice/composition) and E Ignashev (composition/sound art).
MITWIRKENDE
Patrizia Ruthensteiner, Iris Dittler, Jasmin Schaitl, SANJA LASIĆ, Gregor Siedl, Matthias Frey, Verena Fraunlob, Grayson Ruple, Benedikt Steiner, Lina Digka, Paolo Vuono, Melissa Danas, Popi Digka, Enikö Cseh, Peter Joyce
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